A darkly comic and moving reflection on what it means to be human in a world where nothing is certain, from the award-winning Oxford professor We all have trapdoors in our lives. Sometimes we jump off just in time ... But sometimes we are unlucky. My own trapdoor was hidden in the consulting room of an Oxford neurologist. When the trapdoor opened for Robert Douglas-Fairhurst, he plummeted into a world of MRI scans, a disobedient body and the crushing unpredictability of a multiple sclerosis diagnosis. But, like Alice tumbling into Wonderland, his fall did something else. It took him deep into his own mind: his hopes, his fears, his loves and losses, and the books that would sustain, inform and nourish him as his life began to transform in ways he could never have imagined. From Kafka to Barbellion, this is a literary map of the journey from the kingdom of the well to the land of the sick, and forwards into a hopeful future. It's an ode to great writing, to storytelling, to science and to the power of the imagination. 'A pitch-perfect memoir: stylish, erudite, touchingly honest and darkly funny' Jacqueline Wilson

*A BOOK OF THE YEAR 2021 PICK IN THE TIMES, FINANCIAL TIMES, SPECTATOR AND NEW STATESMAN* From the award-winning author of Becoming Dickens and The Story of Alice comes a major new biography of Charles Dickens, tracing the year that would transform his life and times. The year is 1851. It's a time of radical change in Britain, when industrial miracles and artistic innovations rub shoulders with political unrest, poverty and disease. It's also a turbulent time in the private life of Charles Dickens, as he copes with a double bereavement and early signs that his marriage is falling apart. But this formative year will become perhaps the greatest turning point in Dickens's career, as he embraces his calling as a chronicler of ordinary people's lives, and develops a new form of writing that will reveal just how interconnected the world is becoming. The Turning Point transports us into the foggy streets of Dickens's London, closely following the twists and turns of a year that would come to define him, and forever alter Britain's relationship with the world. Fully illustrated, and brimming with fascinating details about the larger-than-life man who wrote Bleak House, this is the closest look yet at one of the greatest literary personalities ever to have lived. 'A startling and exciting writer' A. S. BYATT, SPECTATOR

"A pitch-perfect memoir: stylish, erudite, touchingly honest and darkly funny." Jacqueline Wilson "We all have trapdoors in our lives. Sometimes we jump off just in time ... But sometimes we are unlucky enough to be on the trapdoor when the lever is pulled. My own trapdoor was hidden in the consulting room of an Oxford neurologist." When the trapdoor opened for Robert Douglas-Fairhurst, he plummeted into a world of MRI scans, a disobedient body and the crushing unpredictability of a multiple sclerosis diagnosis. But, like Alice tumbling into Wonderland, his fall did something else. It took him deep into his own mind: his hopes, his fears, his loves and losses, and the books that would sustain, inform and nourish him as his life began to transform in ways he could never have imagined. From Kafka to Barbellion, this is a literary map of the journey from the kingdom of the well to the land of the sick, and forwards into a hopeful future. It's an ode to great writing, to storytelling, to science and to the power of the imagination. And, above all, it's a darkly comic and moving reflection on what it means to be human in a world where nothing is certain.

'you are to understand, Mr. Pip, that the name of the person who is your liberal benefactor remains a profound secret...' Young Pip lives with his sister and her husband the blacksmith, with few prospects for advancement until a mysterious benefaction takes him from the Kent marshes to London. Pip is haunted by figures from his past - the escaped convict Magwitch, the time-withered Miss Havisham and her proud and beautiful ward, Estella - and in time uncovers not just the origins of his great expectations but the mystery of his own heart. A powerful and moving novel, Great Expectations is suffused with Dickens's memories of the past and its grip on the present, and it raises disturbing questions about the extent to which individuals affect each other's lives. This edition includes a lively introduction, Dickens's working notes, the novel's original ending, and an extract from an early theatrical adaptation. It reprints the definitive Clarendon text. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'To die will be an awfully big adventure.' Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J. M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles with Red Indians and pirates by the motherly and resourceful Wendy Darling. Peter Pan has become a cultural icon and symbol for escapism and innocence, remaining popular with both children and adults. In this collected edition, Robert Douglas-Fairhurst brings together five of the main versions of the Peter Pan story, from Peter Pan's first appearance in The Little White Bird, to his novelisation of the story, the stage version, and unrealised silent film script. This edition contains a lively introduction, detailed explanatory notes, original illustrations, and appendices that include Barrie's coda to the play that was only performed once.

'To die will be an awfully big adventure.' Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J. M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles by the motherly and resourceful Wendy Darling. Since then Peter Pan has become a cultural icon and symbol for escapism and innocence, remaining popular with both children and adults. In this collected edition, Robert Douglas-Fairhurst brings together five of the main versions of the Peter Pan story, from Peter Pan's first appearance in The Little White Bird, to his novelisation of the story, the stage version, and unrealised silent film script. This edition contains an introduction and notes, detailed explanatory notes, original illustrations, and appendices that include Barrie's coda to the play that was only performed once. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?' Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim 'to awaken some loving and forbearing thoughts, never out of season in a Christian land'.

A TIMES BOOK OF THE YEAR The year is 1851. It's a time of radical change in Britain, when industrial miracles and artistic innovations rub shoulders with political unrest, poverty and disease. It's also a turbulent time in the life of Charles Dickens, as he copes with a double bereavement and early signs that his marriage is falling apart. But this year will become the turning point in Dickens's career, as he embraces his calling as a chronicler of ordinary people's lives. The Turning Point transports us into the foggy streets of Dickens's London, closely following the twists and turns of a year that would come to define him, and forever alter Britain's relationship with the world. 'Sparklingly informative' Guardian 'Wonderfully entertaining' Observer 'It is hard to imagine a better book on Dickens' New Statesman

Becoming Dickens tells the story of how an ambitious young Londoner became England's greatest novelist. In following the twists and turns of Charles Dickens's early career, Robert Douglas-Fairhurst examines a remarkable double transformation: in reinventing himself Dickens reinvented the form of the novel. It was a high-stakes gamble, and Dickens never forgot how differently things could have turned out. Like the hero of Dombey and Son, he remained haunted by "what might have been, and what was not." In his own lifetime, Dickens was without rivals. He styled himself simply "The Inimitable." But he was not always confident about his standing in the world. From his traumatized childhood to the suicide of his first collaborator and the sudden death of the woman who had a good claim to being the love of his life, Dickens faced powerful obstacles. Before settling on the profession of novelist, he tried his hand at the law and journalism, considered a career in acting, and even contemplated emigrating to the West Indies. Yet with The Pickwick Papers, Oliver Twist, and a groundbreaking series of plays, sketches, and articles, he succeeded in turning every potential breakdown into a breakthrough. Douglas-Fairhurst's provocative new biography, focused on the 1830s, portrays a restless and uncertain Dickens who could not decide on the career path he should take and would never feel secure in his considerable achievements.

'What was merry Christmas to Scrooge? Out upon merry Christmas! What good had it ever done to him?' Ebenezer Scrooge is a bad-tempered skinflint who hates Christmas and all it stands for, but a ghostly visitor foretells three apparitions who will thaw Scrooge's frozen heart. A Christmas Carol has gripped the public imagination since it was first published in 1843, and it is now as much a part of Christmas as mistletoe or plum pudding. This edition reprints the story alongside Dickens's four other Christmas Books: The Chimes, The Cricket on the Hearth, The Battle of Life, and The Haunted Man. All five stories show Dickens at his unpredictable best, jumbling together comedy and melodrama, genial romance and urgent social satire, in pursuit of his aim 'to awaken some loving and forbearing thoughts, never out of season in a Christian land'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

'this is all a fairy tale...and, therefore, you are not to believe a word of it, even if it is true' The Water-Babies (1863) is one of the strangest and most powerful children's stories ever written. In describing the underwater adventures of Tom, a chimney-sweeper's boy who is transformed into a water-baby after he drowns, Charles Kingsley combined comic fantasy and moral fable to extraordinary effect. Tom's encounters with friendly fish, curious lobsters, and characters such as Mrs Doasyouwouldbedoneby are both an exciting fairy tale and a crash course in evolutionary theory. They also reflect the quirky imagination of one of the great Victorian eccentrics. Tom's adventures are constantly interrupted by Kingsley's sideswipes at contemporary issues such as child labour and the British education system, and they offer a rich satiric take on the great scientific debates of the day. This edition reprints the original complete version of the story, and includes a lively introduction, detailed explanatory notes, and an appendix that reprints Kingsley's first attempt to describe the mysterious creatures that live under the sea.

SHORTLISTED FOR THE 2015 COSTA BIOGRAPHY AWARD This is the secret history of Alice's Adventures in Wonderland. Wonderland is part of our cultural heritage. But beneath the fairy tale lies the complex history of the author and his subject. Charles Dodgson was a quiet academic but his second self, Lewis Carroll, was a storyteller, innovator and avid collector of 'child-friends'. Carroll's imagination was to give Alice Liddell, his 'dream-child', a fictional alter ego that would never let her grow up. This is a biography that beautifully unravels the magic of Alice. It is a history of love and loss, innocence and ambiguity. It is the story of one man's need to make a Wonderland in a changing world.

Following his acclaimed life of Dickens, Robert Douglas-Fairhurst illuminates the tangled history of two lives and two books. Drawing on numerous unpublished sources, he examines in detail the peculiar friendship between the Oxford mathematician Charles Dodgson (Lewis Carroll) and Alice Liddell, the child for whom he invented the Alice stories, and analyzes how this relationship stirred Carroll's imagination and influenced the creation of Wonderland. It also explains why Alice in Wonderland (1865) and its sequel, Through the Looking-Glass (1871), took on an unstoppable cultural momentum in the Victorian era and why, a century and a half later, they continue to enthrall and delight readers of all ages. The Story of Alice reveals Carroll as both an innovator and a stodgy traditionalist, entrenched in habits and routines. He had a keen double interest in keeping things moving and keeping them just as they are. (In Looking-Glass Land, Alice must run faster and faster just to stay in one place.) Tracing the development of the Alice books from their inception in 1862 to Liddell's death in 1934, Douglas-Fairhurst also provides a keyhole through which to observe a larger, shifting cultural landscape: the birth of photography, changing definitions of childhood, murky questions about sex and sexuality, and the relationship between Carroll's books and other works of Victorian literature. In the stormy transition from the Victorian to the modern era, Douglas-Fairhurst shows, Wonderland became a sheltered world apart, where the line between the actual and the possible was continually blurred.

'I go about the street with water-creases crying, "Four bunches a penny, water-creases."' London Labour and the London Poor is an extraordinary work of investigative journalism, a work of literature, and a groundbreaking work of sociology. Mayhew conducted hundreds of interviews with London's street traders, entertainers, thieves and beggars which revealed that the 'two nations' of rich and poor in Victorian Britain were much closer than many people thought. By turns alarming, touching, and funny, the pages of London Labour and the London Poor exposed a previously hidden world to view. The first-hand accounts of costermongers and street-sellers, of sewer-scavenger and chimney-sweep, are intimate and detailed and provide an unprecedented insight into their day-to-day struggle for survival. Combined with Mayhew's obsessive data gathering, these stories have an immediacy that owes much to his sympathetic understanding and highly effective literary style. This new selection offers a cross-section of the original volumes and their evocative illustrations, and includes an illuminating introduction to Henry Mayhew and the genesis and influence of his work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Published to mark the bicentenary of Alfred Tennyson's birth, these essays offer an important revaluation of his achievement and its lasting importance. After several years in which the temper of criticism has been largely political (and often hostile towards Tennyson in particular) a number of influential recent accounts of Victorian poetry have rediscovered the virtues of a closer style of reading and the benefits and pleasures of an approach that, without at all ignoring social and cultural contexts, approaches them through a primary alertness to textual detail and literary history. This volume, including entirely commissioned work by a wide range of critics and scholars from across the profession in both Britain and North America, seeks to bring such forms of attention to bear on the immense variety of Tennyson's career by exploring the complex and multiple connections between Tennyson and other writers - his predecessors, his contemporaries, and his successors. Collectively, the essays describe an intricate network of affiliation and indebtedness, resistance and reconciliation. They provide a unique assessment of Tennyson's origins, work, and imaginative legacy as he enters upon his third century.

Questions of survival were much discussed during the nineteenth-century, ranging from debates over the likelihood of a personal immortality, to anxieties over the more dispersed and unpredictable aftermath of particular acts and utterances. Some of these questions emerged in the intellectual and stylistic preoccupations of individual writers, such as Dickens, Tennyson, and FitzGerald. Others contributed towards the cultural atmosphere they shared, in which shifty and overlapping ideas of 'influence' (from the seductive touch of the mesmerist to the contagious breath of the poor) became central to attempts to work out how far-reaching were the effects which people had on one another and themselves. Victorian Afterlives sets out to recover this atmosphere, and to explain why its pressures are still being exercised on and in our own ways of thinking. Moving freely between different fields of enquiry (including literary criticism, philosophy, and the history of science), and written in a lively and accessible style, this major new study redraws the map of nineteenth-century culture to show what the Victorians made of one another, and what they might still help us make of ourselves.

This major study examines a Victorian obsession with 'influence', the often unpredictable after-effects of words and actions, in fields as diverse as mesmerism and theology, literary theory and sanitation reform. For writers such as Tennyson, FitzGerald and Dickens, the idea is both a theoretical and a practical problem.Survival is not only what their writing critically examines, but also what it sets out to achieve.

This Dictionary is a guide to the literary terms most relevant to students and readers of English literature today, thorough on the essentials and generous in its intellectual scope. With terms as wide-ranging in theme as 'emphasis', 'ekphrasis', 'ecocriticism' and 'epithalamion' the definitions are always lively and precise in equipping students and general readers with a genuinely useful critical vocabulary. Above all, it directs readers to make full use of terms, in navigating the confusing world of literary criticism and discovering the concepts behind terms. It does this with the help of fresh examples, literary timeline and up-to-date bibliography (with recommended websites). Extensive cross-referencing is linked to a thematic index that makes it simple to find related terms (e.g. technical terms for repetition; names for six- or seven-line stanzas) and is explicit about the exact distinctions between such terms as 'metonym' and 'synecdoche', or 'couplet' and 'distich'. In addition to teaching key terms, the Dictionary identifies the thinking and unresolved controversies surrounding them, and offers fresh insights and directions for future reading. It seeks to challenge as well as complement the reader's own ideas about literature. It is a Dictionary for the twenty-first century, both in its broad view of literature in English and its emphasis on readers enjoying poetry, prose and drama.